It is time. For Frodo to overcome the wickedness of Gollum, the horrifying attack of the colossal arachnid Shelob and the soul-twisting allure of a ring that resists destruction. For Aragorn to take up the sword of his forebears and the crown of his birthright. For the mighty clash that wizard Gandalf calls “the great battle of our time.” And for the inspired culmination of the films based on J.R.R. Tolkien’s literary classic. For the third time, a Rings movie was a Best Picture Academy Award® nominee and for the first time it claimed that prize (plus 10 more).* The King deserves its crown.

• Amazon Sales Rank: #323 in DVD
• Brand: Warner
• Released on: 2010-09-14
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 2.40:1
• Number of discs: 1
• Formats: AC-3, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen
• Original language: English
• Subtitled in: English, Spanish
• Dubbed in: Spanish
• Running time: 201 minutes

Features

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Amazon.com
With The Return of the King, the greatest fantasy epic in film history draws to a grand and glorious conclusion. Director Peter Jackson's awe-inspiring adaptation of the Tolkien classic The Lord of the Rings could never fully satisfy those who remain exclusively loyal to Tolkien's expansive literature, but as a showcase for physical and technical craftsmanship it is unsurpassed in pure scale and ambition, setting milestone after cinematic milestone as the brave yet charmingly innocent Hobbit Frodo (Elijah Wood) continues his mission to Mordor, where he is destined to destroy the soul-corrupting One Ring of Power in the molten lava of Mount Doom. While the heir to the kingdom of Men, Aragorn (Viggo Mortensen), endures the massive battle at Minas Tirith with the allegiance of the elf Legolas (Orlando Bloom), dwarf Gimli (John Rhys-Davies) and the great wizard Gandalf (Ian McKellen), Frodo and stalwart companion Samwise Gamgee (Sean Astin) must survive the schizoid deceptions of Gollum, who remains utterly convincing as a hybrid of performance (by Andy Serkis) and subtly nuanced computer animation.

Jackson and cowriters Fran Walsh and Philippa Boyens have much ground to cover; that they do so with intense pacing and epic sweep is impressive enough, but by investing greater depth and consequence in the actions of fellow Hobbits Merry (Dominic Monaghan) and Pippin (Billy Boyd), they ensure that Return of the King maintains the trilogy's emphasis on intimate fellowship. While several major characters appear only briefly, and one (Christopher Lee's evil wizard, Saruman) relegated entirely to the extended version on DVD, Jackson is to be commended for his editorial acumen; like Legolas the archer, his aim as a filmmaker is consistently true, and he remains faithful to Tolkien's overall vision. If Return suffers from too many endings, as some critic suggested, it's only because the epic's conclusion is so loyally inclusive of the actors--most notably Astin--who gave it such strength to begin with. By ending the LOTR trilogy with noble integrity and faith in the power of imaginative storytelling, The Return of the King, like its predecessors, will stand as an adventure for the ages. --Jeff Shannon

From The New Yorker
The final act of Tolkien's saga. Many hours after Gandalf (Ian McKellen) showed up in the Shire and arranged for the transportation of a significant piece of personal jewelry, Frodo Baggins (Elijah Wood) staggers to the brink of Mount Doom and prepares, if he can muster the will, to cast the One Ring into the flames. By any standard, it has been an exhaustively splendid trip, crammed at once with private anxiety and lofty overviews of public strife. In this last installment, we are privileged witnesses not just to the Ringbearer's quest but also to a furious pitching of battles, as an ocean of orcs beats against the shining walls of Minas Tirith. The old gang-Legolas (Orlando Bloom), Gimli (John Rhys-Davies), and Aragorn (Viggo Mortensen)-is on hand to save the day and, by implication, the future of a civilization. The director, Peter Jackson, loyal as ever to the original book, has inherited a serious case of anticlimax; he is no more capable than Tolkien of finding a pastoral peace, at the close, that can match the energy of his war. Nevertheless, there should be enough here to dazzle the doubters; will Jackson have the nerve to remix his work, in all its majesty, and release a ten-hour marathon next year? -Anthony Lane
Copyright © 2006 The New Yorker

Most helpful customer reviews

158 of 175 people found the following review helpful.
A Masterpiece
By A Customer
...wow. That's all I can really say for this film. It was inspirational, beautiful, heartrenching, and captivating, making this film amazing. Jackson truly outdid himself for Return of the King. The hopelessness and pain Sam and Frodo are experiencing as they struggle to destroy the Ring is so wonderfully done that you truly feel as if you are with Sam and Frodo as they struggle to climb up the mountain. The love and friendship between the two is so moving that it seriously brought tears to my eyes, and I *rarely* cry.

The acting was simply superb in this film, especially Sean Astin (Sam) and Viggo Mortenson (Aragorn). As always, Miranda Otto was wonderful as Eowyn, as were Billy Boyd and Dominic Monaghan as Pippin and Merry. The movie flowed exceptionally, and despite its lengthy time, there was not a moment that I wasn't captivated by Tolkien's vision of Middle-earth. One of the lines that stands out the most to me is during the moment when Sam and Frodo believe they are going to die while Mt. Doom is erupting is, "I'm glad to be with you, Sam. Here, at the end of all things." Another beautiful scene is when Aragorn, crowned as the King of Gondor, bows down to the hobbits, telling them, "You bow to no one." The heartfelt emotion expressed really does make this film the greatest of all three.

As always, the everpresent rivalry between Gimli and Legolas is there, providing comic relief. Surprisingly, Merry and Pippin do not provide any humour other than at the beginning of the film, and are a very chief point in the plot. The two are separated for the first time since the triligy began and must mature, which largely develops their character. The lovable Smeagol has now once more become the treacherous Gollum; though in the beginning Smeagol pleads against his darker side, the Ring takes control of him, adding to the list of enemies.

Fans of the book will happy to find that Shelob is in this movie; in the books it was originally in the second. Also, the Sword that was Broken is in the film as well, while in the book it is carried by Aragorn in all three. Peter Jackson also remains faithful to the warrior side of Eowyn, which is touched upon in the second film. Though the Houses of Healing were cut out, hopefully they will be in the extended DVD version of the film.

I really can't do this movie justice. It's impossible to explain how I felt both times I saw the movie as I saw the struggle of Frodo and Sam. This movie isn't just a war-movie, or a fantasy movie; it's a movie about love and trust, finding hope in a world that has none, about companionship and fighting until the very end. All three and a half hours of this film is exceptional, and will surely be a classic for years to come.

19 of 19 people found the following review helpful.
It Will Not Disappoint
By A Customer
With the release of The Return of the King, the magnificient journey begun over two years ago is now over, and that is a bit sad. I never read the books by Tolkien and was not all that interested about all the hype over the release of the Fellowship of the Ring. After I saw the first movie I became hooked. The Return of the King is probably the best of the three, although I really loved the Fellowship of the Ring.

This movie refocuses on the importance of the hobbits,especially Sam and Frodo, after all it is up to them to destroy the ring thus defeating the dark lord Sauron and all his minions. By the way, Sean Astin's performance in this movie is superb. After I first saw the Fellowship of the Ring I realized why I became a sort of convert to these movies; they deal with themes that are more than relevant to the real world. Courage, sacrifice, fear, loyalty, betrayal, etc., are all part of what makes these movies so appealling. People can look at these movies and get out of it what they want or they interpret, but I can clearly see a lot of Christian symbolism in the characters and the themes I just mentioned.

The epic struggle between good and evil comes to a stunning climax in this movie with some of the greatest battle scenes ever brought to film (especially at the siege of Minis Tirith) even though so much of it is computer generated. But remarkably this movie tugs at the heart strings as well. The actors truly gave it their all with real emotional performances. Though the ending may have been predictable even if you did not read the books, it still has quite an emotional ending. I realized that the fellowship was over, the story complete, and it was quite sad. These have been some of the greatest movies ever brought to film. When it's all over you realized how much you felt for the characters and how exciting the adventure had been. A movie that can do this is a great movie.

Bottom line, it may be a while before we ever see anything like these movies again. We can thank the film's producer, a talented crew and a great cast for bringing us a great movie that has become rare in Hollywood these days. As an afterthought, I would have liked to have seen Christopher Lee's character brought to a conclusion. I've read where his scenes will probably be included in the DVD edition, but it should have been included in the theatrical release, but that's just my opinion. Any other minor complaints I may have don't really matter.

164 of 196 people found the following review helpful.
A stellar climax to a truly great cinematic experience
By Robert Moore
LORD OF THE RINGS: THE RETURN OF THE KING should win the Oscar for best picture, and for three reasons: first, it was easily the best big-budget film of the year. The only films that I believe rival it in quality are small budget films: LOST IN TRANSLATION and AMERICAN SPLENDOUR. Sometimes independent films can pull upsets, but I really don't expect them to this year. Second, except for the independent films, there isn't a lot of competition this year, unlike the past two years. Many of the films that were expected to vie for the Oscar have been greeted with some fairly negative reviews, like COLD MOUNTAIN, or mild indifference, like THE LAST SAMURAI. One of the better-reviewed films of the fall, MASTER AND COMMANDER, is a very good adventure film that possesses no obvious advantages over THE RETURN OF THE KING. Third, the Academy has a tendency to correct past neglects. Sometimes this can lead to tragic results, such as 1940 when Jimmy Stewart received the Oscar for Best Actor for THE PHILADELPHIA STORY, to atone for his having not received one in 1939 for MR. SMITH GOES TO WASHINGTON. The tragedy lay in the fact that Stewart's best friend Henry Fonda therefore failed to win for his near legendary performance as Tom Joad in THE GRAPES OF WRATH, one of the greatest performances in the history of American cinema. But in 2004, I expect LORD OF THE RINGS to justly win not merely for the excellence of the third installment of the saga, but for the overall greatness of the three films.

The LORD OF THE RINGS trilogy is unquestionably one of the most successful cinematic treatments of a beloved work of literature the movies have ever seen. I know there are purists who would not have been satisfied by any conceivable film version, and that there are others who are more justifiably bothered by the omission of Tom Bombadil or the schizophrenic treatment of Gollum, but I think anyone willing to cut the movie even the tiniest bit of slack should be able to grant to the great achievement that this movie turned out to be. Of course, ironically it was only the growth of CGI technology that made the filming of this fantasy of lost ancient past possible. Twenty years ago, it would have been inconceivable that Treebeard could have been so satisfyingly come to life. Or Gollum. Or seeing hobbits, humans, elves, dwarves, wizards, and orcs all onscreen at the same time. I can honestly say that there was not a moment that I was consciously looking at special effects rather than balrogs or giant flying eagles or gigantic walking trees.

But all of this could be a kind of criticism--namely, that the success of the film depends merely on technology--if it weren't for the fact that the movie succeeds on multiple levels. The art design is the most memorable I can ever remember. I'll forever think of those beautiful pins for the capes that Frodo and Samwise wear all the way from Rivendale to Mordor. The makers of the film got more things right than they needed to, perfecting more detail than anyone could possibly have noticed. Without great acting, however, all of the technology and special effects and art and set design would be a royal place setting for junk, but fortunately the film was both marvelously cast and wonderfully acted. There might have been one or two casting decisions I might have questioned, but by and large the cast was stellar, a few so magnificently that it difficult now to see anyone else in that role. When the film was first announced, much of the debate was over who would portray Gandalf, and I remember some people being upset that not only was Sean Connery (the early favorite) not cast but an openly gay actor in the role instead. But it is now almost impossible to imagine anyone but Ian McKellan in the role. So many smaller roles made the film work, like David Wenham as Faramir (seen only a couple of years ago in the role of "Audrey" in MOULIN ROUGE), or Ian Holm as Bilbo, or Sean Bean as Boromir, or Cate Blanchett as Galadriel. The only weakness in the movie is one that probably couldn't be overcome (and one that Peter Jackson has acknowledged in interviews): Sauron. What can you do with a bad guy who is merely a giant flaming eyeball? Just not much potential to do much more than what they were able to do.

Peter Jackson deserves a special academy award for serving as the creative force that turned THE LORD OF THE RINGS into one of the great experiences in the history of cinema. Most of all, he deserves enormous credit for making all the technology subservient to the story, and not the other way around. The great battle for Minas Tirith might have devolved into a mere showcase for stellar special effects, like many moments in the past two STAR WARS films have, but not once did he lose touch with the human element, not there or at any other point.